2016
rabbit skin glue, bole, whiting, paint, collage, and mixed media on cradled wood panel
24 x 30 in.
SOLD
2015
rabbit skin glue, bole, whiting, mixed media paint, collage, and pencil on cradled wood panel
24 x 30 in.
SOLD
2015
mixed media on cradled wood panel
24 x 30 in.
2016
mixed media on cradled wood panel
24 x 30 in.
2016
rabbit skin glue, bole, whiting, collage, and mixed media on cradled wood panel
24 x 30 in.
2015
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
20 x 20 in.
2015
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
20 x 20 in.
2015
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
20 x 20 in.
2015
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
24 x 24 in.
2015
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
24 x 24 in.
2015
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
24 x 24 in.
2015
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
24 x 24 in.
SOLD
2015
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
24 x 30 in.
2015
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
24 x 30 in.
2015
rabbit skin glue, bole, whiting, paint, and mixed media on cradles wood panel
24 x 72 in. (triptych)
2011
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
20 x 20 in.
2011
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
20 x 20 in.
2011
rabbit skin glue, whiting, bole, and mixed media on cradled wood panel
24 x 24 in.
SOLD
2011
mixed media on cradled wood panel
24 x 48 in.
SOLD
2011
mixed media on cradled wood panels (diptych)
24 x 48 in.
2012
24 x 24 in.
SOLD
2011
30 x 15 in.
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
8 x 6 in.
SOLD
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
6 x 8 in.
SOLD
2015
mixed media on archival paper
9.5 x 7 in.
2016
mixed media on archival paper
6 x 8 in.
SOLD
2015
mixed media on archival paper
7 x 9.5 in.
2016
mixed media on archival paper
6 x 8 in.
2016
mixed media on archival paper
8 x 8 in.
2016
mixed media on archival paper
6 x 6 in.
2016
mixed media on archival paper
6 x 6 in.
2016
mixed media on archival paper
8 x 8 in.
2016
mixed media on archival paper
8 x 8 in.
2016
mixed media on archival paper
6 x 6 in.
2016
mixed media on archival paper
6 x 6 in.
2016
mixed media on archival paper
8 x 8 in.
2016
mixed media on archival paper
8 x 8 in.
2016
mixed media on archival paper
8 x 8 in.
2016
mixed media on archival paper
8 x 8 in.
SOLD
2016
mixed media on archival paper
11 x 14 in.
2016
mixed media on archival paper
12 x 15.5 in.
2016
mixed media on archival paper
11 x 14 in.
SOLD
2015
mixed media on archival paper
14 x 18.5 in.
2015
mixed media on archival paper
14 x 14 in.
2015
mixed media on archival paper
18.5 x 14 in.
2016
plaster, thermoformed plastic, goose feathers, paint, canvas
Created through a process of collaboration and experimentation, the artist acknowledges the impact of expectations on happiness. Challenging the viewer to contemplate concepts such as purpose, ambition, choices, status, and ultimately mortality- she poses the rhetorical question: Is it everything you dreamed it would be?
This (Is Not What I Thought It Would Be), 2017
approximately 10 x 10 ft
thermoformed plastic, plaster, 22 karat gold leaf, goose feathers, paint
Empire painted parcel gilt day bed, armchairs, and drawers from Neapolitan
side table on loan from Gerald Bland
lighting by Quazar Productions
Created in collaboration with Plaxall and Gerald Bland,This considers the differences between anticipation and reality in contemporary society. I cast and shaped a number of pillow forms in plaster. One was then used as a mold for thermoforming. The others were impressed with elements of packaging inserts from Plaxall’s existing plastic inventory. The products they are intended to hold- perfume, cosmetics, pharmaceuticals, a depiction of a baby sleeping peacefully on the moon- imply luxury, beauty, youth, happiness, and immortality. Gilding these impressions in 22 karat gold leaf, I explore the many symbols gold has represented throughout history- divine presence, enlightenment, innocence, purity, power, privilege, royalty, vulgar opulence, the absolute power of dictators and despots. I invite the viewer to contemplate past ambitions, current events, hope, and expectations for the future.
Yo, Miss! That’s FIRE!, 2018
thermoformed plastic, plaster, 22 karat gold leaf, goose feathers, paint
collection of antique chairs on loan from 145 Antiques
approximately 10 x 10 ft
Created in collaboration with Plaxall and 145 Antiques, Yo, Miss! That’s FIRE! wonders. It notices.
It’s learning. It’s running on fumes. It’s had a headache for 20 hours. It’s adjusting. It’s cracking up.
It’s waiting for quiet in… 3, 2, 1.
Yo! Miss thinks you are… amazing. Hilarious. Exhausting. Tenacious. Innovative. Fearless. Outstanding.
Passage, 2019
thermoformed plastic, 22 karat gold leaf, canvas, mixed media paint,
thread, goose feathers
74 x 69 in.
Created through a process of collaboration, experimentation and reconfiguration, Passage explores an old dream the artist is still trying to figure out.
sanctuary and threat
the stories we tell sleeping, the stories we tell awake
expectations and reality
a guard dog
boundaries
transitions between worlds
